With the fingers of spring tickling at the edges of our days, I've been renovating my wardrobe. And came across this dress...
Although the dress had a sorta sporty feel to it and I think my style is vaguely sorta sporty? maybe? whatever the heck is my style anyway.... seriously I have no idea! anyhow, somehow the dress felt wrong on me. I wore it a few times, gave it a shot, but no.
But you know I'm not one to let lovely fabric go to waste and this fabric had been a gift from Sam. So I unpicked the panels, saving all those zips. And managed to patch together enough fabric for a new little skirt. Which is great because a few skirts were jettisoned in the clean-out so it is only fitting that some new skirts could come in, yes? Just keeping the balance! :)
I used Vogue 1247 and lengthened it... surprise! I know I have a few of these in my wardrobe already but what can I say? it's just an absolute winner. It's so quick and easy to make, is exactly to my style tastes and you cn put it together with small bitsy pieces of fabric. How many times have I made this pattern already? I'm not sure, but lots.
Ok I've just counted. Eight times I have made this pattern. Eight. That's not even counting the two times I've spliced the pieces and made it up plain, without those distinctive waitress-y pockets.
Some of the beige double topstitched seaming of the original dress is still intact in the skirt, which is fine by me. I like weird little quirks in my clothes, didn't you know?
The pockets are lined with blue sprigged cotton, leftovers from my sew bossy dress in its pre-dyed colour, and the lining is the original pale latte coloured acetate lining of the dress, simply cut to the right length from the bottom and keeping the hemline intact. Instead of sewing the darts in the lining I folded them in pleats instead, as is my wont. This is not laziness, honest! the idea is that there is some wearing ease in pleats whereas as there is no wearing ease in sewn down darts.
Details:
Skirt; Vogue 1247 lined, blue damask, my review of this pattern here
Blouse; a mixture of different patterns, powder blue silk, details here
Socks; hand-knit by me to a 60's pattern, details here
Boots; Enrico Antinori, from Zomp shoes
Although the dress had a sorta sporty feel to it and I think my style is vaguely sorta sporty? maybe? whatever the heck is my style anyway.... seriously I have no idea! anyhow, somehow the dress felt wrong on me. I wore it a few times, gave it a shot, but no.
I used Vogue 1247 and lengthened it... surprise! I know I have a few of these in my wardrobe already but what can I say? it's just an absolute winner. It's so quick and easy to make, is exactly to my style tastes and you cn put it together with small bitsy pieces of fabric. How many times have I made this pattern already? I'm not sure, but lots.
Ok I've just counted. Eight times I have made this pattern. Eight. That's not even counting the two times I've spliced the pieces and made it up plain, without those distinctive waitress-y pockets.
Some of the beige double topstitched seaming of the original dress is still intact in the skirt, which is fine by me. I like weird little quirks in my clothes, didn't you know?
The pockets are lined with blue sprigged cotton, leftovers from my sew bossy dress in its pre-dyed colour, and the lining is the original pale latte coloured acetate lining of the dress, simply cut to the right length from the bottom and keeping the hemline intact. Instead of sewing the darts in the lining I folded them in pleats instead, as is my wont. This is not laziness, honest! the idea is that there is some wearing ease in pleats whereas as there is no wearing ease in sewn down darts.
Does this happen to you when snapping a picture of your sewing details?
I know you can't see them in the photo... but I am totally wearing matching socks too. Ha! I love matching details, even those you can't see!Details:
Skirt; Vogue 1247 lined, blue damask, my review of this pattern here
Blouse; a mixture of different patterns, powder blue silk, details here
Socks; hand-knit by me to a 60's pattern, details here
Boots; Enrico Antinori, from Zomp shoes