Hello! been screen-printing some more :)
btw, Shelley and Ute asked about the ink and colour-fastness of; we are using Permaset Aqua Textile Printing Ink, you can read about it, search for stockists and buy online here. I got some at Jacksons art suppliers. wrt colour-fastness I am veeeeery pleased to report that I have laundered my Poppies set and it came out as fresh and clean and bright as when it was first printed... phew! (wipes sweat from brow) I had this horrible feeling that I was going to pull an all-over pink and poppy-less set of lingerie from the washing machine, but no, this ink is marvellous stuff! so yeah, my experience is that if you follow the instructions on the jar and iron like mad, then happy, print-y laundering will ensue.
But back to the current project...
This time I printed two large-ish pieces of fabric, and tried to make a random repeating print, one that had an interlocking-overlapping design so that repeat prints looked more organically seamless and less obvious where the design started and finished with each one. My teacher photocopied my design to show me how you can cut it up the middle and place the sides back on themselves to see how the design needs to be altered so that it fits in visually.
Also, because I wanted my leaves to be an autumnal colour range as opposed to one single solid colour, I did not mix anything but instead plopped blobs of colour along the top of the screen and just allowed them to mix and marble together however they wanted during the screening. I started with blobs of Mid Yellow and Purple, which eventually with repeat screenings became a kind of olive, which I re-used and kept adding new little blobs of yellow and purple to it at the top of the screen randomly. More yellow got into the mix than purple because I wanted the leaves to "glow", and loved how the streaks of yellow accentuated this effect.
I had to cut two identical paper stencils because I did it in two lots, the first length of fabric in class and the second at home. My second effort (at left in the picture below) clearly has a much better alignment! haha hardly surprising, that! and this time, remembering the difficulties I had with cutting pattern pieces from my poppies print, I tried as much as possible to print right up to and over the edges of my fabric pieces.
Something I forgot to mention in my murky blocks post but have found indispensible!! is to draw a large arrow on the back side of the stencil, indicating "this side up" of course! With designs like mine which are abstract but still directional, having this has saved me several times from making a terrible mistake...
Once both lengths had dried it looked a little dull and I fancied the idea of a random red leaf here and there, both for visual interest as well as to fill in some gaps. I didn't use the screen, but just cut a single-leaf stencil from thickish paper and sort of "sploodged" with a small amount of ink on the end of a paintbrush to fill it in. Because the paper degrades and starts to bleed quickly, I only used each one about three or four times each before needing to cut a new one. This colour is the leftover, so the same as, my poppies print.
Once all this had dried, I went over with a Sharpie laundry marker and hand-added the leaf stalks in later.
(and, you can see in my first photo, some little pencilled-in crosses between the leaves? these are my alignment guides and will wash out, no worries :)
Thoughts:
Not fabulous but getting... somewhere?! Has some disastrous spots, but overall I eventually wrangled it into something I like. I already know how I'm going to use it! Since I'm less happy with this than with my murky block print then paradoxically I will feel less angst-y about slicing into it and sewing it up first... if that makes any sense. No, I know it doesn't. I'm intimidated by fabrics I love more, so am more likely NOT to use them through weird feelings of inadequacy that I can't do them justice... pretty silly, huh?
Anyway this will get made up quickly... stay tuned!
btw, Shelley and Ute asked about the ink and colour-fastness of; we are using Permaset Aqua Textile Printing Ink, you can read about it, search for stockists and buy online here. I got some at Jacksons art suppliers. wrt colour-fastness I am veeeeery pleased to report that I have laundered my Poppies set and it came out as fresh and clean and bright as when it was first printed... phew! (wipes sweat from brow) I had this horrible feeling that I was going to pull an all-over pink and poppy-less set of lingerie from the washing machine, but no, this ink is marvellous stuff! so yeah, my experience is that if you follow the instructions on the jar and iron like mad, then happy, print-y laundering will ensue.
But back to the current project...
This time I printed two large-ish pieces of fabric, and tried to make a random repeating print, one that had an interlocking-overlapping design so that repeat prints looked more organically seamless and less obvious where the design started and finished with each one. My teacher photocopied my design to show me how you can cut it up the middle and place the sides back on themselves to see how the design needs to be altered so that it fits in visually.
Also, because I wanted my leaves to be an autumnal colour range as opposed to one single solid colour, I did not mix anything but instead plopped blobs of colour along the top of the screen and just allowed them to mix and marble together however they wanted during the screening. I started with blobs of Mid Yellow and Purple, which eventually with repeat screenings became a kind of olive, which I re-used and kept adding new little blobs of yellow and purple to it at the top of the screen randomly. More yellow got into the mix than purple because I wanted the leaves to "glow", and loved how the streaks of yellow accentuated this effect.
I had to cut two identical paper stencils because I did it in two lots, the first length of fabric in class and the second at home. My second effort (at left in the picture below) clearly has a much better alignment! haha hardly surprising, that! and this time, remembering the difficulties I had with cutting pattern pieces from my poppies print, I tried as much as possible to print right up to and over the edges of my fabric pieces.
Something I forgot to mention in my murky blocks post but have found indispensible!! is to draw a large arrow on the back side of the stencil, indicating "this side up" of course! With designs like mine which are abstract but still directional, having this has saved me several times from making a terrible mistake...
Once both lengths had dried it looked a little dull and I fancied the idea of a random red leaf here and there, both for visual interest as well as to fill in some gaps. I didn't use the screen, but just cut a single-leaf stencil from thickish paper and sort of "sploodged" with a small amount of ink on the end of a paintbrush to fill it in. Because the paper degrades and starts to bleed quickly, I only used each one about three or four times each before needing to cut a new one. This colour is the leftover, so the same as, my poppies print.
Once all this had dried, I went over with a Sharpie laundry marker and hand-added the leaf stalks in later.
(and, you can see in my first photo, some little pencilled-in crosses between the leaves? these are my alignment guides and will wash out, no worries :)
Thoughts:
Not fabulous but getting... somewhere?! Has some disastrous spots, but overall I eventually wrangled it into something I like. I already know how I'm going to use it! Since I'm less happy with this than with my murky block print then paradoxically I will feel less angst-y about slicing into it and sewing it up first... if that makes any sense. No, I know it doesn't. I'm intimidated by fabrics I love more, so am more likely NOT to use them through weird feelings of inadequacy that I can't do them justice... pretty silly, huh?
Anyway this will get made up quickly... stay tuned!