I am finishing all of my winter knitting projects just in the nick of time for them all to be packed away. Woot! This is pretty typical for me. I think I really should plan my wardrobe far more efficiently and be more seasonally aware and prepared!
I was struck by something Roobeedoo wrote recently; that since a knitting project takes so much longer than a sewing project and, as well, lasts for so much longer in your wardrobe, the sensible self-tailored individual plans future sewing projects around a current knitting project; not concurrently. So sensible! An edict; the singular wisdom of which I had not appreciated before then...
Thy knitting projects are the key to planning thy wardrobe, y'all!
I bought this lovely wool during my afternoon out in Paris with Donna of Nid de Tissus, so it brings back happy memories to me of our fun chatty lunch and fabric/wool shopping excursion together. A wearable souvenir! It is from Renaissance Dyeing; 4-ply poll dorset wool hand-dyed with natural plant dyes in France, colour Canigou. Terrified of not getting enough I bought four skeins so obviously Murphy's Law decreed that I had overestimated how much I would need... doh! I can never get that bit right! The cardigan used just over two skeins, so at some point I am going to order some more and make something else using my almost two whole leftover skeins. I do already have ideas, hehehe :) The full range can be viewed and ordered here.
The pattern is Audrey in Unst, designed by Gudrun Johnston; available here. I've long admired Roobeedoo's leaf green version that she has worn during me-made May and had decided that at some point I would have to make my own. The shape is nearly identical to my recently finished Miette! but the chunkiness is the difference between the two. The Miette is in a thick aran weight yarn, whilst the Audrey in Unst is in a light, fingering weight yarn. So this is a light little cardigan with much finer stitching tension, and subsequently took a lot longer to knit! I started this at the beginning of the year (blush) and only just bought the shell buttons and stitched them on a few days ago.
The neckline is finished off with an i-cord stitch. This is the first time I have tried this technique and I think it's quite a nice, neat and tidy finish and a refreshing change from the usual rib.
The cardigan is knitted bottom up, and is, like the Miette, designed to be knitted in one piece with no stitching pieces together. WIN! Well, you are supposed to stitch the shoulder seams together but I elected to graft the stitches together, like I do with the toes of my socks. This gives a very nice seam; neat and flat and quite unobtrusive. I can do a step-by-step if anyone hasn't heard of and is interested in this technique?
The pattern has a built-in faux side seam, which is an interesting feature. Essentially it is just a purl stitch every knit row, and vice versa. The shaping is discreetly alongside the faux side seam.
The sleeves are knitted by picking up the stitches and knitting short rows with wrapping and turning to form the sleeve cap. LOVE this feature and I think it makes for a really nice attractive finish; far smoother and sits flatter than a stitched in sleeve would be.
Are there any negatives? Well you get started; and 36 long long rows of ribbing later, all that blasted purling through the back of the loop had just about killed me. Seriously HATED this bit. And I'm curious, does purling/knitting through the back of the loop really make a significant difference to the rib? and if it does then is it really an improvement on the regular sort? That's not a rhetorical question btw, I would like to know.
Details:
Cardigan; Audrey-in-Unst in Renaissance Dyeing; 4-ply poll dorset, colour Canigou
Skirt; Vogue 1170 lined, blue corduroy later dyed brown, details here and my review of this pattern here
Tshirt (under); self-drafted, white cotton jersey, details here
Sandals; c/o Misano
I was struck by something Roobeedoo wrote recently; that since a knitting project takes so much longer than a sewing project and, as well, lasts for so much longer in your wardrobe, the sensible self-tailored individual plans future sewing projects around a current knitting project; not concurrently. So sensible! An edict; the singular wisdom of which I had not appreciated before then...
Thy knitting projects are the key to planning thy wardrobe, y'all!
I bought this lovely wool during my afternoon out in Paris with Donna of Nid de Tissus, so it brings back happy memories to me of our fun chatty lunch and fabric/wool shopping excursion together. A wearable souvenir! It is from Renaissance Dyeing; 4-ply poll dorset wool hand-dyed with natural plant dyes in France, colour Canigou. Terrified of not getting enough I bought four skeins so obviously Murphy's Law decreed that I had overestimated how much I would need... doh! I can never get that bit right! The cardigan used just over two skeins, so at some point I am going to order some more and make something else using my almost two whole leftover skeins. I do already have ideas, hehehe :) The full range can be viewed and ordered here.
The pattern is Audrey in Unst, designed by Gudrun Johnston; available here. I've long admired Roobeedoo's leaf green version that she has worn during me-made May and had decided that at some point I would have to make my own. The shape is nearly identical to my recently finished Miette! but the chunkiness is the difference between the two. The Miette is in a thick aran weight yarn, whilst the Audrey in Unst is in a light, fingering weight yarn. So this is a light little cardigan with much finer stitching tension, and subsequently took a lot longer to knit! I started this at the beginning of the year (blush) and only just bought the shell buttons and stitched them on a few days ago.
The neckline is finished off with an i-cord stitch. This is the first time I have tried this technique and I think it's quite a nice, neat and tidy finish and a refreshing change from the usual rib.
The cardigan is knitted bottom up, and is, like the Miette, designed to be knitted in one piece with no stitching pieces together. WIN! Well, you are supposed to stitch the shoulder seams together but I elected to graft the stitches together, like I do with the toes of my socks. This gives a very nice seam; neat and flat and quite unobtrusive. I can do a step-by-step if anyone hasn't heard of and is interested in this technique?
The pattern has a built-in faux side seam, which is an interesting feature. Essentially it is just a purl stitch every knit row, and vice versa. The shaping is discreetly alongside the faux side seam.
The sleeves are knitted by picking up the stitches and knitting short rows with wrapping and turning to form the sleeve cap. LOVE this feature and I think it makes for a really nice attractive finish; far smoother and sits flatter than a stitched in sleeve would be.
Are there any negatives? Well you get started; and 36 long long rows of ribbing later, all that blasted purling through the back of the loop had just about killed me. Seriously HATED this bit. And I'm curious, does purling/knitting through the back of the loop really make a significant difference to the rib? and if it does then is it really an improvement on the regular sort? That's not a rhetorical question btw, I would like to know.
Details:
Cardigan; Audrey-in-Unst in Renaissance Dyeing; 4-ply poll dorset, colour Canigou
Skirt; Vogue 1170 lined, blue corduroy later dyed brown, details here and my review of this pattern here
Tshirt (under); self-drafted, white cotton jersey, details here
Sandals; c/o Misano