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Patched pockets

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Just to provide further proof of my predilection for unusual clothing ... please allow me to present my new skirt.
This skirt is the love-child of four old pairs of jeans.   They were a bit battered but in favourite colours, and had fabric in some areas still in pretty good knick.  Charcoal denim (Cassie's), olive green corduroy, olive green moleskin and chocolate moleskin (Craig's).  The chocolate moleskins had previously been nibbled away at to produce the Brown parliament.
The skirt pattern is another offspring of Vogue 8363; yes, the very same as my previous big baggy pockets skirt.  Quite different, yes?!  That's the beauty of a well-drafted good basic pattern like this one, you aren't limited to the plain unadorned versions, which obviously have their place in any well-rounded wardrobe too! but my point is that you are only limited by your imagination  :)
I thoroughly enjoyed making this.  For a start it's re-using old unwanted textiles, always an activity dear to my heart.  I am in the fortunate position that when my family is tossing out cruddy old clothes they tend to lob them my way first.
And I love puzzles, and making this skirt was a fun puzzle.  This was a joyful and totally engrossing project where I happily zoomed along, cutting out on the laundry floor, up and down, rushing to the sewing machine, the iron; slicing and piecing away without any thought to time passing.  Bliss...
I used the pattern variation that allowed for front slanted pockets, and made whole skirt front and whole skirt back pattern pieces from newspaper, re-drawing the side seams on both front and back to be just slightly more flared and A-line than the pencil lines of the pattern although not quite as pronounced as for my big baggy pockets skirt.  
I unpicked and re-used the waistband from the charcoal jeans and made use of its resident buttonhole although I sewed on a new flat button that won't dig into the small of my back when I'm sitting back in a chair.  I also re-used the waistband of the chocolate jeans to finish the lower hem, putting its button and buttonhole at the front.  It wasn't long enough to do the full hemline of the skirt, so I made a filler piece and a few extra belt loops and repositioned all the belt loops to distribute them evenly and hide the joining seams.   I also saved the fly front off the olive green moleskins and re-used it for the skirt closure at the centre back, although retrospectively I'm not in love with this.  It's quite a bulky fly with a heavy duty jeans zip, but I guess the look of it is in keeping with the whole cobbled together, rough-and-ready look of the skirt.
I cut the patches so as to keep lots of pockets from the various jeans.  The skirt actually has eight pockets in total!... in addition to the two regular slanted front hip pockets that I sewed as part of the pattern; there are two patch pockets, three welt pockets and one curved side pocket in it.  I only did this for fun, for the aesthetics of them, but they are all still functional.
It's just a bit of silliness really, but I like off-beat random patchwork-y stuff like this  :)
Inspiration?  Well, I've pinned like a tonne of this sort of thing...  this Isabel Marant dress, this mystery jacket, and also Yoshimi's jeans from a few years ago.  Also, while I was busy laying down patches and switching around different shapes and sizes, this cottage kept popping into my head.   Now a cottage probably seems like an off-the-wall (ha!) inspiration for a skirt, but let me explain; superficially, the re-cycled nature of the materials is an obvious commonality between the cottage and my skirt, as well as artistically, in the random and irregular grid of their design.  And in purpose, pockets in clothing have a correlation to windows in architecture.   Pockets and windows are a visual feature of a thing, but also a functional component of that thing; specifically as an opening to/in their respective objects but not the entry point to that object.  
So in that vein; can one consider a pocketless garment to be like a window-less building; and are zips and button-bands akin to the doors/gates of a building?  
Discuss in one thousand words or less and submit by the end of class. 
(only joking)
Sometimes I think it would be lots of fun to have a group to discuss and dissect clothing and fashion theory; like a book club, only far more frivolous.
(sigh) A pipe dream...
This skirt is another swap item.

Details:
Top; top "a" from shape shape by Natsuno Hiraiwa, white cotton, details here
Skirt; Vogue 8363 modified, made from 4 old pairs of jeans, my review of this pattern here

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