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"Swedish" dress

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I've made my Swedish souvenir    :)
I bought this linen-mix with a Swedish designed print in Stockholm during our Scandinavian holiday.  I fell in love with the bold and yet delicate print in orange, soft greeny-browns and black on a creamy background.  Bold and delicate?! sounds like an oxymoron but I think this design does magically manage to fit into both categories somehow!  The pattern is Vogue 2900 and I "framed" each piece in the design with a skinny strip of black cotton to highlight the piecing in this quietly interesting dress design.  
I chose to do this because I felt the broad sweeps of a bold - yet delicate! - print like this could lose much of its impact upon being cut up into small pieces... I think the black framing successfully highlights the piecing of the pattern as a feature of the dress, while still being subtle enough to allow the print to hold its own and shine equally as a feature of the dress as well.
In its own way, the black framing is a bold and delicate thing, too!
I've long admired all the many beautiful versions of this pattern made by Yoshimi.  Beth recently wrote about the concept of a "pattern whisperer"; and in fact, during Yoshimi's stay with me she recommended this pattern to me, saying that she thought it would suit me.  I have very high regard for Yoshimi's taste and style and so paid careful attention to her "pattern whisper".  And I am glad I did because I love it!  Thanks Yoshimi!
I took my time with this dress, cutting and precision-stitching the bias cut strips of black cotton and lining up all the black corners and edges just exactly right.  All the seams are highlighted in this way, except for the bodice centre front seam; I couldn't see it working in neatly with the edging on the centre front split at the top, and the centre back seam, which again, having the black edging would not have worked successfully with the white invisible zip closure.  All the edges; the armhole edges, neckline edge, pocket edges and the lower edge of the dress, are similarly edged with the same black cotton.
It's funny; I've had a large piece of this black cotton on a big cardboard roll for so many years, and it's come in so very handy for so many little touches to about a zillion projects, to the point where I felt that it was like a never ending supply.  With this project I suddenly realised I'm down to the last half a metre!  Panic!  I'm going to have to buy more!!
I used my own tip to perfectly align those black strips on either side of the invisible zip.

Details:
Dress; Vogue 2900, Swedish print with black cotton edging outlining each piece
Sandals; Zomp, from Zomp shoes

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